It seems that good ol’ boys and girls are everywhere country fans look these days. And while that rough-hewn sound and image has clearly established its place in the genre, it’s refreshing to encounter an artist who stands apart from the crowd—in look and style, but especially in his music.
Enter David Nail. With Sinatra-like levels of poise and class, the rare gifts of natural melody and soul, and a voice as enveloping as a Cumberland River fog, the Missouri native is a modern-day country gentleman. He’s Jim Reeves crossed with Elton John. Garth Brooks meets Stevie Wonder. Glen Campbell blended with Michael Bublé.
“My father was a band director for 31 years and he listened to all sorts of music, including a lot of old-school Elton John. I just loved the big, lush feel of those records,” David explains. “Glen Campbell was a huge influence on me for the same reason: the arrangements, the elaborate production, the dramatic songs. Those influences all come out in what I do.”
The Sound of a Million Dreams is Nail’s follow-up to 2009’s I’m About to Come Alive, which yielded the Top Ten hit “Red Light” and was also listed by Esquire Magazine as one of 50 Songs Every Man Should Be Listening To. David also received an Academy of Country Music nomination for Single Record of the Year for “Red Light.” Furthermore, Nail scored a Grammy nomination for Best Male Country Vocal Performance for “Turning Home.”
Much like I’m About to Come Alive, The Sound of a Million Dreams is cinematic in its scope, with lyrics and melodies awash in imagery. In the evocative “That’s How I’ll Remember You,” it’s snapshots of baseball-game dates in Brooklyn with an ex-lover. In the swirling “She Rides Away,” the titular girlfriend makes tracks in a rusty El Camino. And in the album’s yearning first single “Let It Rain,” a contrite husband seeks forgiveness for “the one night I forgot to wear that ring."
But the lyrics on The Sound of a Million Dreams, whether David’s or those of his co-writers, only tell part of the story. The rest unfolds thanks to David’s incomparable voice. Bourbon-smooth, full of emotion and always in control, it’s an instrument in and of itself. And the singer-songwriter knows when to let it loose or rein it in.
“I don’t want somebody to think I’m a great singer because I can sing a Stevie Wonder hit and do all the licks,” he says modestly. “With this record, I wanted to find the best songs that I could sing as best as I can, but at the same time, songs that I could sing effortlessly. And by ‘effortlessly,’ I mean emotionally, not technically. There’s a difference between singing a song on key, and singing a song that makes a person instantly feel something.”
Ironically, the record’s first song could end up being David’s concert closer.
“That’ll be a song that you wouldn’t want to follow with another,” he declares. “With ‘Grandpa’s Farm,’ we’d leave as big as an exclamation point as we can.”
The same can be said for The Sound of a Million Dreams as a whole. It’s a definitive statement that David Nail has arrived and is committed to releasing his brand of mature country music—songs that are built around personal stories, transcendent vocals and a sense of class.
“That will always be the basis of what I do on a record and what I try to do live. If you’re looking to get rowdy and hear a lot of screaming and hollering, you’ll be disappointed,” he says with a laugh. “This record yields a different kind of enjoyment. And there are all kinds of songs. It really does epitomize the sound of a million dreams.”
And for fans of sophisticated country music, it’s a million dreams come true.
The Sound Of A Million Dreams