Questions & Answers with
the Q & A Lady

Dear Courtney,

Thanks for visiting the Opry and taking an Opry House tour. The Opry Post Office is one of my favorite stops on the tour. It always does my heart good to see the Opry as a little town within itself, with each member having a mailbox. And I always smile when I hear the guide say that the mailboxes are in alphabetical order, except Jimmy Dickens’ is a row or two lower than the other “D’s” for obvious reasons. You are most welcome to write letters to the Opry members, and you don’t even need a mailbox number. The Opry staff places your mail in the boxes by name of the artist rather than by box number. Simply address your mail as follows:

Artist Name
Grand Ole Opry
2804 Opryland Drive
Nashville, TN 37214

With regard to Garth Brooks: while he lives in Oklahoma these days, my fingers are crossed that he’ll pay the Opry a visit someday soon. Are yours, Courtney?

Thanks for asking,
The Q & A Lady

Dear Sharon,

I’ll put the brakes on your bus ride to bananas right now by telling you “Sixteen Tons” is a classic recorded by the late, great Country Music Hall of Famer Tennessee Ernie Ford. Penned by fellow Hall of Famer Merle Travis, the song spent ten weeks on top of the country charts for Ford in 1955. In addition to the version you’ve been hearing lately, the tune has been cut by countless others, including Johnny Cash and Tom Jones.

Even perennial Democratic presidential also-ran Dennis Kucinich had his day in the sun with the song last year. You can check that and other versions out on YouTube.

Thanks for asking,
The Q & A Lady.

Dear Debbie,

As you know, Sissy Spacek is an actress by trade, and a darn good one at that. But when the time came for her to star as Loretta Lynn in “Coal Miner’s Daughter,” Spacek did her own singing. The talented film star visited the Opry on January 27, 1979 while she was preparing for her role as one of country’s favorite women. I’ve heard Sissy say in interviews that following production of the film she really missed “being” Loretta. I can only imagine how fun that role was, Debbie. I think my favorite line to deliver would have been, “Doo, you sound like an old bear when you growl like that.” Or maybe, “I’ve been on the Grand Ole Opry, Doo! The Grand Ole Opry!”

Sissy and her daughter were in Music City a couple of Fan Fairs ago checking out the situation for her daughter, who had dreams of being a country star. I haven’t heard from her recently. I’ll check into that, Debbie.

Thanks for asking,
The Q & A Lady

Hi Sue,

First of all, hearty congratulations to KU on a national championship! I’m happy for all you wheat growers out that way! That tournament is sometimes almost more than my heart can stand. I just sat here and shook after that Western Kentucky win in the first round. Crazy stuff!

We’ll look forward to seeing you on 08/08/08 at 8:00 sharp! I’m sorry to burst your bubble, but while there are lots and lots of exciting events and shows coming up at the Opry this spring and summer, I don’t believe there are any particularly special 08/08/08 plans at this moment. Maybe Mel Tillis or Mark Wills could make an appearance, as the day is also their birthday. 08/08/08 also marks the 33rd anniversary of the mountain climbing accident that nearly took Hank Williams Jr’s life.

Keep watching opry.com, Sue, as artists confirmed for that night’s shows will be added as the date nears. And one word of wisdom: don’t feast on more than three or four Opry Dogs when you’re here for the show. Otherwise you’ll be heard saying, “whoah, I eight too much!”

Thanks for asking,
The Q & A LAdy

Hi Pam,

You're right on both artists. That was Bill Anderson singing "I Wonder if God Likes Country Music," and that was the King Of Country Music, Roy Acuff, singing the part of the dying gentleman waiting to sing country music in heaven. Always a great storyteller, Bill tells a wonderful true tale of singing that song with Mr. Roy on the Opry stage not long before Acuff's death, knowing the performance would almost certainly be the pair's last appearance together. You can find the song on any number of Bill Anderson recordings, including his two-CD set NOTHIN BUT HITS available at www.billanderson.com.

Thanks for asking,
The Q & A Lady

Dear William,

There are few artists I'd like to see at the Opry like I'd like to see Hank Jr. The man lights up a stage and gets people from 8 to 80 on their feet. He's not currently scheduled to play, but you never know when the Opry's talent manager might land a Bocephus appearance. It'd do this ole gal's heart good.

But you shouldn’t wait until Jr. is on the Opry to pay a visit to Tune Town, Bill. The Country Music Hall of Fame is launching a new exhibit about the Williams Family called Family Tradition this weekend. The exhibit is to be full of never-before-seen artifacts from Hank Williams, Hank Williams Jr., and the extended Williams family. I’ll be there Friday, and I’m very much looking forward to it. I’ll write all about it in a future column, but don’t wait to get the scoop from me—- come on down. If anyone in country music ever had a story to tell, it’s Hank Jr!

While Hall of Fame elections are shrouded in mystery, there’s not a doubt in my mind Hank Jr. will find himself in the same hallowed rotunda as his father one day in the not-too-distant future, William. He’ll be in the running along with such notables as Roy Clark, Reba, Garth Brooks, and Don Williams, but he’ll land there . . . just as each of the names just mentioned should.

Thanks for asking,
The Q & A Lady

Dear Carl,

Sorry for the delay, hon. My interests are so varied that I committed to the opry.com staff that I'd be glad to answer and post one question and answer each week. I do read each and every question sent my way. When I know an answer off the top of my head, I usually fire an answer back to the person who asked it right away just to put his or her mind at ease. I always select a fun question to post online, and sometimes my curiosity gets the best of me and I track down answers to questions that don't get posted online. But that inevitably leaves those poor questions like yours has been up until now. Ignored and alone, like yours truly on prom night 1945. I sincerely apologize to all whose questions are not answered here. Please keep writing in and reading each week's posts! And if someone will volunteer to plant my daisies, watermelons, and cucumbers; take my Mazda in for an oil change; bake a cake and pick up some champagne for our Easter brunch; write the letters I need to write; go online to pay my bills; etc, I will gladly sit in the home office and answer each and every question that comes in. How I wish that was the case!

Your country music interest does go way back, Carl, but you know that can be a real turn on, right? "Mommy, Mommy, Please Stay Home With Me" was recorded by several country acts including Opry members The Browns (love them) and Hank Locklin. If I was you, I'd buy the Eddy Arnold box set THE TENNESSEE PLOWBOY AND HIS GUITAR, which will include the trip down memory land you're craving as well as some other great work. And while you have that credit card out and box sets on your mind, pick up the Bear Family Ernest Tubb collection, one of several projects from the Texas Troubadour featuring "Our Baby’s Book." Happy listening, Carl!

Thanks for asking,
The Q & A Lady

Dear Tom,

The official Country Music Hall of Fame induction ceremonies are wonderful, wonderful events as grand as the incredible talents being inducted each year. No matter who the inductees are from year to year, it seems the Hall of Fame staff finds just the right performers to honor them with just the right songs. And I am always amazed at how eloquently the words the staff writes in honor of each inductee are presented. I'll always remember two years ago when Glen Campbell had the audience of friends, peers, and Music City VIPS looking at each other in amazement, each audience member thinking to his or herself, "My gosh, that's Glen Campbell . . . singing 'Rhinestone Cowboy' . . . on the evening in which he's becoming a Hall of Famer . . . and I’m one of the 200 people experiencing it."

Though the medallion ceremony is a private event, the public usually lines a red carpet leading into the Hall of Fame to get a glimpse of Hall honorees, returning Hall of Famers, and other notable guests. If you're in town during the ceremonies this year, I say stop by. Due to a tie in votes, four acts were elected to the Hall this year. Subsequently, the medallion ceremonies will take place on two different nights. On April 27, Emmylou Harris and the late Pop Stoneman will be inducted. Then on June 29 longtime friends Tom T. Hall and The Statler Brothers will be so honored.

Thanks for asking,
The Q & A Lady

Dear Brenda,

The bad news is you appear to be wrong on all counts. The good news is you're close enough that I can answer your question and point you in the right direction!

I believe you're thinking of T. Graham Brown and his song of redemption, "Wine Into Water." Though he had bigger chart hits, "Wine Into Water" will surely go down in history as T's most personal and compelling tune. The song failed to crack the Top 40 when it was released ten years ago, but gets as great a crowd reaction at the Opry as any of T's number ones from the 80s including "Darlene" and "Don’t Go to Strangers."

Armed with these facts, Brenda, you should be able to easily find the song you seek online.

Thanks for asking,
The Q & A Lady

Dear April,

Hall of Famer Scruggs isn't currently scheduled to play the Opry in the near future, but that could always change. To be completely honest with you, April, I think your best bet would be to plan a trip to Nashville on June 26. On that night at 7:30 p.m. the great Scruggs and his hand-chosen friends will kick off the Ryman Auditorium's "Bluegrass Nights" series. He did the same last year, and while I missed the show, some of my gal pals who were there said it was the best of the series and a night of music they’ll never forget. Having seen some of the other nights in the series last year, I can not imagine how good the one they deemed "the best" was. I say bring the old man down for the Scruggs Ryman show on the 26th, then stay in town for the Opry on Friday or Saturday or both!

You can check out this summer's entire Bluegrass Nights line-up at ryman.com. I already have my tickets for Vince "Mr. Wonderful" Gill on July 3. I'm sure he'll play hotter and look hotter than all the firecrackers that light up the night sky the following evening.

Thanks for asking,
The Q & A Lady

Dear Sam,

We’ll look forward to hosting you in Music City. The memories of my visit to Scotland years ago are happy ones, except I did catch a terrible case of strep throat on my last day in Edinburgh. It was all I could do to choke down one last helping of the delicious fish and chips offered up by the small shop across the street from our B&B.

You’re in luck, as your March 4 visit falls on both the Opry’s return to the Opry House and the return of the Tuesday Night Opry after a winter break. Among those you’ll see that night are the Gatlin Brothers, Diamond Rio, The Del McCoury Band, and my favorite new artist of the past couple of years, Young Eric Church. I’m excited for you!

The Opry House and the Ryman are just a short (say 20 minutes, tops) cab ride or drive apart. Be sure to visit the Ryman even though the Opry will have finished its run there on March 1. I’ll never get over the thrill of walking through that building and feeling the spirit of ghosts like Patsy Cline and Hank Williams and the echoes of performances by Vince Gill, Emmylou Harris, and so many others.

Have a great time, Sam, and thanks for asking.
The Q & A Lady.

Dear Steph,

Heavens, no, girl! You're not the only Brit who loves her country (music, that is.) The greatest percentage of the Opry's international visitors come from Canada, but England does score first-runner-up honors. And it's always amazing the wide scope of nationalities that listen in on the Internet or explore our website pages. A full eight out of every 100 fans who visit opry.com everyday are from outside the United States.

I hope you'll visit us anytime, Steph. In the immortal words of The Wagonmaster, "Y'all Come!"

Thanks for asking,
The Q & A Lady

Dear Michael,

If you were playing interviews of Roy Acuff and Hank Snow in New York City in the 60s, you sound like my kind of man. A man of the world, yet with an appreciation of good, honest music. Experienced. A real charmer. Maybe you should come see the good people of the South again soon, with special emphasis on the good person who is answering your question!

While I am in no position to tell you whether or not you’re losing your mind, I can unequivocally tell you that the bluegrass great is NOT buried up the road in Spring Hill Cemetery, but rather further up the road in his native Rosine, Kentucky. I’m sure you agree that it is altogether fitting and proper that the Father of Bluegrass should rest beneath the bluegrass of home. I enjoy a walk through Spring Hill on nice spring and fall days, Michael, and will check out the grave of William Monroe on my next visit.

Thanks for asking,
The Q & A Lady

Dear David,

Opry fans, visitors to opry.com, and those who take the time to send questions my way are all very passionate about who they think should become Opry members, and I say that's a good, good thing. It's wonderful that an institution that’s been around since 1925 continues to inspire talented young people and makes them want to be a part of the family. I wouldn't begin to say who I think will next achieve Opry membership, other than to say it won't be yours truly—- there's not nearly enough talent in these vocal chords, and I can't dance like I once could. I'm not even funny enough to be the next Miss Minnie or Jerry Clower.

A lot of factors go into making a decision on Opry membership, and they are detailed in the "Meet the Opry" section of this site. Just click here to learn more.

I will say I think it's all together fitting and proper that the Opry's most recent inductees have showcased such a variety of musical styles and journeys to the Opry, from the hard-working Dierks Bentley, inducted while still in his 20s, to Mel Tillis, a Hall of Famer known for his songwriting prowess, number one hits, and comic genius, inducted in his 70s, to Josh Turner, the modern traditionalist who joined the family at age 29, to Charlie Daniels, the Southern rock legend and country king who became the Opry's most recent addition at age 71. To your point, though, David, maybe it's time for a female artist from your list or elsewhere be added. Time will tell. Time will tell.

Thanks for asking,
The Q & A Lady

Dear Mark, I can't be exactly sure who you saw or heard I don't suppose, but my money is on you having enjoyed the music of Grammy-winning Texas native Nanci Griffith. I guess "old" is in the eye of the beholder, Mark, but in my book Nanci, at 55, is still a spring chicken. (Maybe the glasses she put on for her last number a few weeks ago added a year or two in your mind.) She's had a storied recording and touring career, having performed with such luminaries as Willie Nelson, Emmylou Harris, and Judy Collins. Additionally, her songs have been hits for Suzy Bogguss ("Outbound Plane"), Kathy Mattea ("Love at the Five and Dime"), and more. Mattea also recorded "Listen to the Radio," which you may have heard Griffith perform at the Opry in November. That tune includes the line "Loretta Lynn guides my hands along the radio. Where would I be in times like these without the songs Loretta wrote?" Griffith has not been at all shy about her adoration for The Coal Miner's Daughter, Mark, and I'll return the favor by not being shy about my respect for Griffith's voice and lyrics. I think she's a lot of fun to watch on stage, and when my mood is right, there's hardly a better soundtrack to a quiet summer evening than her LATE NIGHT GRAND HOTEL CD. I just love it.

Thanks for asking,
The Q & A Lady

Dear Peggy,

The first time "Statue" hit the charts was when Opry member Jack Greene took it to number one in 1969. Since then the tune has been back on the charts as recorded by Brian Collins (1974), Bill Medley (1979), and the RVS version with which you’re familiar. (That one made its way to number two on the "Billboard" charts, by the way). Jack says "Statue" is his most requested song, even outdoing his much-awarded "There Goes My Everything." Fans of the Jolly Green Giant say he sings "Statue" just as well today as he ever did.

And wouldn't it be fun if we really could build statues in the likenesses of some of the biggest fools in our lives, Peggy? I'd love to build one in honor of an old flame who did me wrong, sit it out in the backyard, and say to the pigeons, "do with this what you will!"

Thanks for asking,
The Q & A Lady

Dear Ronna,

I'm having so much trouble settling on a presidential candidate of choice this year, don't even make me choose between these two fine Opry members! Your Dierks has that enviable hair and that free-spirited motorcycle road warrior thing going for him. I'd ride in his sidecar any day. Josh, meanwhile, has the voice any old gal like me would kill to wake up to every day of the year. Can't you just hear him at the foot of the bed saying, "mornin' honey. Coffee's on."? That'd certainly beat the morning words most often uttered by my dearly departed: "well for heaven's sake, dear. I put your false teeth in again by mistake!"

Regardless of who our favorites are, Dierks does have two years on Josh. Dierks was born in Arizona on November 20, 1975. Josh came along in South Carolina exactly two years later.

Come see us again soon, my dear. Thanks for asking,
The Q & A Lady

Dear Mike,

That group was the award-winning bluegrass act Mountain Heart. I don't see a record of the group having put "Mary, Did You Know" on record as of yet. Several others including Kathy Mattea and Wynonna have recorded it, however. But who knows? It's a long time til the holidays will roll again; maybe the guys can get in the studio and record it. And maybe I can lose the ten pounds I packed on in December, too. I can hear them now... "Q & A Lady, did you know the only thing you have in common with the immaculate conception is that your stomach looks like your seven months pregnant..."

Thanks for asking,
The Q & A Lady

Dear Carol,

I’ll let your comment act as an end-of-the-year tribute to not only the great Mr. Hughey, but to all of the country music greats we lost in ’07. With careers large and small and with an impact around the world or in regional pockets across this great land, all are deeply missed. The “crying sound” of Mr. Hughey’s steel would be a fine soundtrack to a recitation of the names of the fine folks lost this year including Porter Wagoner, Hank Thompson, and so many more.

Thanks for your note, Carol, and thanks to all the late great artists of note we lost this year.

The Q & A Lady

Dear Gary,

And I’m sure Blaine Larsen would love for you to purchase his CD! His ROCKIN’ YOU TONIGHT project includes the hit “I Don’t Know What She Said.” In order to hear “Wish I Could Fall In Love Today,” however, you’ll want to purchase the Barbara Mandrell tribute album on which it appears, SHE WAS COUNTRY WHEN COUNTRY WASN’T COOL: A TRIBUTE TO BARBARA MANDRELL.

That “wasn’t cool” title, of course, begs the question, Gary, when was country not cool? There are those who would argue that country was at its least cool around the time that title hit the top of the charts and just before folks like Ricky Skaggs, George Strait, and Randy Travis hit town and steered things in a decidedly traditional direction for a while. I don’t know, Gary, but I think in country music as in life to everything (and to every style) there is a season. At the end of the day, I’d say I enjoy country music and all the roads it takes. I enjoy embracing what I love and also enjoy sitting on the sidelines casting stones at what I don’t. From the emails I receive at opry.com weekly, I think hundreds of others out there are in the same boat as me.

I hope you enjoy your new music!

Thanks for asking,
The Q & a Lady

Dear Craig,

Thanks for tuning in on XM! It’s great to hear from new listeners like you.

Yours is an easy question for me, in that I have long enjoyed the song about which you wrote and am a huge fan of one of its co-writers. “I Watched It All (On My Radio)” was released by Lionel Cartwright in March 1990. The song was one of four Top 10 hits for the West Virginia native, with one of those (“Leap Of Faith”) reaching the number one spot in the summer of 1991. You can find the song on Cartwright’s album I WATCHED IT ON THE RADIO. Another reader of the column asked about Cartwright a couple of years back. When I investigated his locale at that time, he was working as a music minister in the Nashville area.

“I Watched It All…” was co-written by one of Nashville’s most prolific writers, the great Don Schlitz. The man’s words can be heard all over country radio even today. Just this past weekend while raking leaves I heard three Schlitz-penned tunes in a row on the radio: “Forever and Ever, Amen;” “40 Hour Week,” and “The Old School.” Schlitz also offers “I Watched It All…” on his own CD, LIVE AT THE BLUEBIRD CAFÉ. Recorded live at Nashville’s storied Bluebird, the project also offers Schlitz’s own versions of tunes such as “The Gambler,” “When You Say Nothing At All,” and my all-time favorite, “I Take My Chances,” as well as the lesser-known but incredibly written “One Picture’s Worth A Thousand Tears” and “Oscar The Angel.” Schlitz treats listeners to a show at the Bluebird roughly once a month, with an admission charge of only a buck. I say it’s the best thing you can do in Nashville with a single George Washington. He also teams up with his friends harmonica wizard Jelly Roll Johnson, fellow writers Thom Schuyler (“16th Avenue”), and J. Fred Knoblock (“A Lover Is Forever”) for in-the-round shows at the Bluebird every month or so. The four friends are very funny sitting around joking, and they sound just great harmonizing on everything from “He Thinks He’ll Keep Her” to “I Fell In Love Again Last Night.”

Thanks for asking,
The Q & A Lady

Hello Darlin',

You bet your Twitty Bird ole Conway is in the Hall of Fame. A country music lady's man if ever there was one, Conway was elected to the Hall in 1999, six years after his untimely death en route from Branson, Missouri to celebrate with his beloved fans during Fan Fair. I'll never forget the marquee at Twitty City reading "Goodybe Darlin'" that sad week. I have a lot of fun Conway stories to share someday, Joe. One involves a Twitty City billboard north of Nashville and a cherry picker. I'll tell all one of these days!

Thanks for asking,
The Q & A Lady

Howdy Michael,

It’s good to see I’m not the only one out there with a tendency to forget a thing or two. You’re thinking of the group Cherryholmes, and I can understand why the group’s musicianship might stick with you even if the group’s name did not. The group is made up of talented members of the Cherryholmes family including Dad Jere and Mom Sandy Lee plus daughters Cia Leigh and Molly Kate and sons BJ and Skip. The group is always entertaining to this ole gal, especially when Sandy Lee decides to cut a rug on stage. You can visit the family online at skaggsfamilyrecords.com.

Thanks for asking,
The Q & A Lady

Speck lies in Spring Hill Cemetery just off of Gallatin Road just north of the Opry House, having passed away on March 19, 2000. Gilbert R. “Speck” Rhodes was born one of six children in West Plains, Mo. He and his two brothers all entered show business in their teens, and Speck auditioned for Porter’s shows in 1960. Of course he lives on in episodes of the show available on RFD-TV. Funny guy, Gerald. I can’t look at an old-fashioned telephone without thinking of him and his comedy routine involving calls to his girlfriend, Sadie.

Thanks for asking,
The Q & A Lady

Dear Cathie,

I had some unkind words for the Country Music Association and ABC when I, like you, heard that Vince Gill, Mel Tillis, and Ralph Emery would not be recognized at the year’s CMA Awards. Thank the Lord folks came to their senses. It was almost better than one of my favorites winning an award when that segment hosted by LeAnn Rimes came on the Awards telecast. God bless us everyone!

Thanks for asking,
The Q & A Lady

Dear Noelita,

How fun to hear from Alaska! I hope you’re all stocked up for the winter. I was near your neck of the woods following the Opry Alaskan Cruise a few years ago. After the cruise, we drove from Seward to Anchorage. It looks as if you are a few miles west of the area we saw that morning. Beautiful country, Noelita!

The song you and your friend recall is by Tex Williams, the man who also puffed away on the multi-week 1947 smash "Smoke! Smoke! Smoke! (That Cigarette)." Two years later, he enjoyed success with "(There’s A) Bluebird On Your Windowsill." Speaking of which, there’s a ten-year accumulation of dust, a couple of Reese’s Peanut Butter Cup wrappers, and my framed Vince Gill photo collage on MY windowsill, but that’s beside the point.

Thanks for asking,
The Q & A Lady

Dear Amy,

I think you heard the Girls Next Door sing "Slow Boat to China," not "Slow Boat To Heaven." You could be worse in the getting-lyrics-mistaken department, Amy. One of my good friends once thought Eric Clapton's "Cocaine" was about a young housewife who didn't mind "Cookin' In." What a Moron!

I would love to hear from any other readers out there who have committed a similar faux pas. Talk to me, friends!

"Slow Boat" was the Girls' only Top 10 hit, and "Love Will Get You Through Times With No Money" was their only other Top 20. The oldest of the Girls, Doris King, turned 50 earlier this year.

Thanks for asking,
The Q & A Lady

Hi Jenny,

Glad you made it to the home of country music. You saw "They Also Serve," a tune about the sacrifices paid by the families of our country’s brave fighting men and women. The song is by John Conlee, one of my all-around favorite people at the Opry. I heard "Friday Night Blues" early Saturday morning while puttering around getting ready for the barrage of shoppers at my yard sale and paused in front of my tables of merchandise long enough to shout loudly enough to wake the neighbors, "Great song! Great, great song!"

Thanks for asking,
The Q & A Lady

Dear Sandy,

The Hank Jr./Marty/Travis moment is not available for sale. Maybe someday, Sandy. That was, indeed, quite an Opry Moment. Thanks for the good words about visiting Nashville. It is such a fun week on CMA Week . . . or any week, for that matter.

So you heard Eddie’s good news! The Opry will be heard on XM Satellite Radio beginning Saturday, Oct. 20. Eddie’s own show, presently heard weeknights on 650 WSM, will begin airing on XM next month. I am so very excited I am going to buy an XM system, myself. Honest.

Hello Cornhusker!

Good news! Both Jimmy and Porter are on the RSVP list to be on hand for the Opry’s big Bash later this month. Which star do you think could blow out the most candles on the Opry’s cake? You might also check out the Opry member Q & A Session in the Acuff Theatre on the afternoon of the 20th. Jimmy and some of his Opry buddies will gather around the Opry table that day to share stories and answer fans’ most asked questions. I could sit and listen to Little Jimmy stories for hours without end, Scott. The legendary Opry member will celebrate 60 years with the Opry next year. I simply could not love the man any more than I do. What a guy. You’re sure to have a great time in Music City. Please do stop me and say hello if you see me that weekend. I’d love to meet you and yours.

Thanks for asking,
The Q & A Lady

Editor's note: Tickets to the Q&A Session on October 20 are available in the Birthday Bash Vacation Package or you can purchase tickets on the day of the event at the Opry Box Office. For more information on other Birthday events, please visit our October is Opry Month page. Oh, and if you do run in to the Q&A Lady and you want to pry some of that inside scoop she's famous for out of her, just run an Opry Dog (the Opry's must-have treat) under her nose and she's all yours.

Hello, Pam

I hope all is well in Manvel. I think I could go for living in a place called Manvel, but I believe I would have to pronounce it “Man-ville” to be completely satisfied. Speaking of satisfied, it sounds like it just might take two men to keep you satisfied, huh Pam? Maybe two men who look . . . exactly alike?

Identical twins Jim & Jon Hager got their big break when Buck Owens discovered them performing at Disneyland. Buck signed your dishes to a management contract, and the two opened shows for the Hall of Famer across the country. Of course they later became recognized by millions (including you) for their singing and comedy on “Hee Haw,” co-hosted by none other than Owens, himself.

Today the guys play the occasional show in Nashville as well as fairs, conventions, casinos, and the like across the country. (They were at the Hickman, Kentucky Pecan Festival just last Saturday.) It seems I cross paths with the guys once a year or so. I saw them backstage at the Opry not too terribly long ago, and I found them chatting with some fans who recognized them in a hotel lobby in the Music Valley area not long after that. When a couple of friends of mine looked with their realtor at a home last year, they were impressed to discover upon taking a close look at the photos on the mantle in the home that they were in the residence of one of the twins—-they weren’t sure which one! Now that’s the inside scoop you can’t get just anywhere, Pam.

Thanks for asking,
The Q & A Lady

Dear Wendy,

Welcome to Tune Town! Glad to have another old-time country fan in our midst. The Statler Brothers had their moments with me, too. In fact, I was just looking through some old 45’s this past weekend and ran across copies of their hits “Charlotte’s Web” and ”Don’t Wait On Me.” Though they’ve continued to release recorded music since they retired from touring, I believe that when they said “farewell tour” they meant it. Maybe, just maybe, they’ll do something in honor of their recent Gospel Hall of Fame election. And ¼ of the Statlers, Jimmy Fortune, continues to write and perform live. In fact, I am planning to catch him in GAC’s show at Dollywood later this week. Jimmy Fortune, a wooden roller coaster, and the scrambler all in one day—who could ask for anything more?

Thanks for asking,
The Q & A Lady

Nice to hear from you, and so nice to know there are still fans of the Forester Sisters out there in addition to this ole gal. You just might be envious of me, Jennie. For over the Labor Day Weekend, I picked up the Foresters’ self-titled debut LP at Tennessee’s famed 30-mile yard sale between Holladay and Big Sandy.

My girlfriend and I didn’t make it all 30 miles, but I’ll tell you one thing . . . we packed a lot into one Saturday in Southwestern Middle Tennessee. I got into it with a lady yard sale proprieter who wanted entirely too much money for a ratty old paperback about Elvis Presley. (Can you call a woman sitting on an overturned five-gallon bucket smoking a cigarette while breathing with the help of an oxygen mask a lady, Jennie?). Then I proceeded to get into it again with another lady who took the last dozen croutons off the salad bar at the Camden, Tennessee Country and Western Steakhouse while I stood helplessly beside her hoping to add just a little crunch to my garden greens. (Can you call a woman standing at a salad bar unwilling to share croutons even though her outstretched arms are so jiggly they just barely clear the blue cheese dressing a lady, Jennie?)

Next it was just a short three-mile jaunt to the haunting March 1963 crash site of Patsy Cline and company. The site is such a sad place, really, Jennie, but well worth a stop if you’re anywhere nearby. After stops at more sales (if I never see another plastic singing bass fish affixed to a wooden display piece, I’ll be happy enough to sing “Don’t Worry, Be Happy” myself), it was on to Loretta Lynn’s Hurricane Mills, Tennessee Ranch. We’d spent so much time bargain hunting that we missed Miss Loretty’s Museum closing hour by fifteen minutes or so. We pressed our noses to the glass doors hoping for a glimpse of Loretta’s gowns and awards or items given to the Hall of Famer by her friends for display including Barbara Bush’s canary yellow extra-wide overstretched pumps, but it was too dark inside for a good look. We did walk across the bridge at Hurricane Mills, though, for great photos in front of the mansion made famous in the motion picture “Coal Miner’s Daughter.” We each stood at the gate and each pretended for a moment to be the Coal Miner’s Daughter, herself.

We had a special star sighting across the road from Loretty’s ranch at the Cissie Lynn (Loretta’s daughter) Country Store and Music Barn. The Coal Miner’s Daughter’s daughter, herself, was behind the counter ringing up sales and cutting bologna and cheese. We had no time for bologna, though, as we were headed to the Log Cabin Restaurant just off of I-40. Now you know I love Vince Gill, Jennie, but I don’t mind saying that if given the choice between 30 minutes in a dark room with a frisky Vince OR 30 minutes in that same dark room with a heaping helping of the Log Cabin’s skillet fried chicken breast, I believe I’d have to go with the chicken breast. Delicious! Then, just as I was toying with the idea of trying to find a way to eat desert AND get out of that place without popping the elastic waistline on my polyester slacks, God saw fit to deliver me from the situation and planted the idea of dessert to go. Delicious again!

Oh, Lord, Jennie, you asked a question about the Forester Sisters, didn’t you? The girls tell me that yes, they will record again, but there are no definite plans as of yet. The sisters are happy in all walks of life near their hometown of Stone Mountain, Georgia. Until that new project is complete, you might be interested in a newer Christmas album called "New Star Shining" available only at forestersisters.com. It won't be along until we're saying "Tis the season," you know!

Thanks for asking,
The Q & A Lady

I’m glad you asked, Ann. One of my gal pals and I were just talking about (well, actually fighting about) that singer just the other day. The singer you heard was Jennifer Nettles of million-selling group-turned-duo Sugarland. The song you heard was “Stay” from Sugarland’s second (and current) album, ENJOY THE RIDE. I just caught the last part of the new video for “Stay” on GAC for the first time earlier this evening, Ann.

I can’t say enough good things about Sugarland. I love the duo’s style, and I just seem to get lost in young Jennifer’s voice, no matter if she’s singing a rocking tune or a powerful slower number such as the tune you heard. And I am always struck by what seems like such honesty in her smile and laughter. I wish she was my granddaughter—I bet we could have some fun times with me telling her stories about the old days around the Opry and her telling me about the new days on tour with Brad Paisley, Kenny Chesney, and those lads about 40 (ok, 50) years too young for me. My gal pal I mentioned isn’t sold, like we are, Ann. She calls Jennifer “that girl that swings her arms around and shows her armpits.” I say she’s just jealous, and I believe it, too.

I was so personally taken by Sugarland’s debut single three years ago that I made sure to walk back to the group’s dressing room to say hello and congratulations after their Opry debut that fall. All three of the then-members of the group were nice to me and completely humble, but it was Jennifer who stood up from her seat and walked across the dressing room floor to shake my hand and introduce herself to me. Classy. I walked away that night a fan. Sounds like after hearing “Stay,” you’re a fan, too.

Thanks for visiting from Canada and for inquiring about one of my favorite newer acts on the scene. Now if you’ll excuse me, I think I’ll go swing my arms around in my old grumpy friend’s face.

Well, New York City—- imagine that! This ole gal has nothing but great things to say about your hometown! It seems we hear nothing but crazy reports about New York City cab drivers, but I’m here to tell you one was nothing but wonderful to this ole gal last year. It seems I left my blackberry (the kind you send email on, not the kind I grew up picking in the summertime while keeping both eyes open for snakes) in the backseat of a NYC cab last year and chalked it up as gone for good. When I came into my Opry office the next day, though, the cab driver called me from his home phone to say he’d found the valuable device in the cab at the end of his day. He even went down to his neighborhood UPS store and mailed it back to me. It did my heart (not to mention my pocketbook) good, Kim. It really did.

I believe you have heard Iris DeMent, who is beloved by Garrison Keillor and other fans across the country. Among DeMent’s many fine tunes is “Mama’s Opry,” a song about DeMent’s mother’s long-held dream of playing the Grand Ole Opry. In part, its lyrics read:

The Carters and Jimmy Rodgers played her favorite songs.
And on Saturday nights there was a radio show and she would sing along.
And I'll never forget her face when she revealed to me,
That she'd dreamed about singing at The Grand Ole Opry.

I am so fortunate, Kim, to have been in the audience that October night in 2002 when Ms. DeMent’s own dream of singing on our hallowed stage came true. I hope you enjoy the singer/songwriter’s recorded work for years to come.

Thanks for asking,
The Q & A Lady

Dear Mary,

For a former "WKRP" fan such as myself, that is a fun, fun question! While many is the man who has approached me backstage telling me of my striking resemblance to Jennifer Marlowe (aka Loni Anderson), I must say this is the first time I’m aware that anyone has pointed out to me or anyone else on the Opry staff the similarities between our staff band pianist Tim Atwood and Herb Tarlek, the character immortalized by Frank Bonner.

A few "six degrees of Kevin Bacon"-type coincidences do come to mind, though, Mary. For one, I once sat behind Edi McClurg at the Opry when she was in town shooting a movie with Faye Dunaway. I remember she went wild for the Opry square dancers. McClurg, you’ll recall, has appeared in everything from "The Hogan Family" to "Moonlighting," to "Planes, Trains, and Automobiles" in addition to guesting on "WKRP" as Herb's wife, Lucille.

Then, too, Gary Sandy (Andy Travis for us KRP fans) once starred in the production "Cotton Patch Gospel" on the Ryman (former home of the Opry) stage after his WKRP days.

Loni Anderson was married to Burt Reynolds who once passed out in the hot tub in the Florida home of former Opry star Tammy Wynette.

Richard Sanders, aka Les Nessman, had a guest role on "Who’s The Boss," the ABC sitcom for which Opry member Steve Wariner recorded the theme song.

Howard Hesseman, aka Dr. Johnny Fever, once starred in the film "Honky Tonk Freeway" alongside Beverly D’Angelo, who played Opry star Patsy Cline in "Coal Miner’s Daughter."

Gordon Jump, aka "The Big Guy" aka Arthur Carlson, once starred as Mr. Thomassoulo in "Seinfeld," giving a Rascal (one of those power mobile carts) to a supposedly disabled George Costanza. The Scooter Store is a current Opry advertiser.

Jan Smithers, aka Bailey Quarters, was a "Battle Of The Network Stars VII" teammate with Judy Norton-Taylor, star of "The Waltons," which featured a family known to tune in to the radio including the Opry in the 1940s and 50s.

That was fun, Mary. Thanks for asking, and come see us again soon.
The Q&A Lady

Thanks for the question, Brian. It's so hot in Nashville right now, I needed an easy one like yours so I could get these old hands of mine off the computer keyboard and back to fanning myself. All you have to do is check out the "Tune In" page here at opry.com. It includes a link to wsmonline.com, where you can hear every single broadcast of the Opry as it is happening here in Music City. And those who don’t live across the pond can also check out how they can watch "Opry Live" on GAC (Great American Country) or CMT Canada or tune in to the syndicated radio show "America's Grand Ole Opry Weekend."

Now where did I set my fan?

Thanks for asking,
The Q & A Lady.

Oh, Cecilia, you're breaking my heart and shaking my confidence with that question!

I'm staying mum about the floating pink elephants, but I do know that the air gets thin up there in the Rocky Mountains and sometimes, what starts out as a harmless round of cocktails with the girls in the lodge can blossom into a game of truth or dare that finds a group of middle-aged snow bunnies on a downhill slalom to trouble! But that’s a different story.

I can assure you that Johnny Cash, though he did often appear onstage with his wife, June Carter Cash, mother-in-law Maybelle Carter, sisters-in-law, Helen and Anita Carter, as well as several daughters and step-daughters at one time or another, did not manage or front an all-girl band. HOWEVER, Cecilia, your man may have just been mistaken about who it was he saw performing with the group of lovely ladies, because during the 1980s, another Opry icon, Mr. Porter Wagoner, toured and performed frequently with the group The Right Combination, made up entirely of musicians of the fairer sex. I'd wager that man of yours saw Porter with The Right Combination, and remembered him incorrectly (it does happen sometimes, doesn't it!) as Johnny Cash. You'll have to ask him if the elephants were pink and floaty that night!

Thanks for asking,
The Q&A Lady

Dear Robert,

First of all, you have great taste in vocalists, even if I do say so. Secondly, I wish you had been tuned in to the great Bill Cody on 650 WSM last Friday when Country Charley Pride joined Bill in the studio. Charley was in town for his weekend Opry appearances, and sat down for a long on-air conversation. The two reminisced about how Charley sang with Dolly on “God’s Coloring Book,” a Gospel tune featured on Pride’s album PRIDE AND JOY: A GOSPEL MUSIC COLLECTION.

Thanks for asking,
The Q & A Lady

Dear Larry,

I am big on nicknames around the Opry, but I’m not 100% sure I would take being called “Stringbean” a compliment. He was not exactly known for a keen sense of fashion, wearing a long shirt down to his knees and slacks that began where the shirt ended even before that look was accepted by today’s youth.

Born David Akeman in Annville, Kentucky, String was a master entertainer in the style of one of his mentors, Uncle Dave Macon. Unfortunately, String is probably most widely remembered these days because of the horrible way he died rather than the performances he gave on shows across the country as well as the Opry and “Hee Haw.” For on November 10, 1973, String and his wife Estelle were gunned down on their property outside Nashville by would-be burglars as the couple returned home from an Opry performance. I just read the locally-printed book “The Stringbean Murders” on a flight to San Diego last January, and learned interesting facts about String’s life and death I hadn’t before heard. One of the most fascinating pieces of information I learned was that in the days following String’s death before the murderers were apprehended, the Opry was surrounded by a pervasive fear that perhaps the killers would strike again. Due to a strange set of coincidences, Tom T. Hall, specifically, was at one point particularly concerned about the safety of his wife, Miss Dixie. I also did not realize until I landed upon the book that a saw stolen from the Akeman property that night and later admitted as evidence in the Akeman trial had been a gift from the “Mouth of the South,” comedian Jerry Clower. I’d love to tell you more about the contents of the book, Larry, but I lent it to a friend who has not yet returned it. (That’s you, Cherrie.)

The book has been out of print for several years, but you may be able to find a copy on Ebay or amazon.com or what have you. (Or you could do as I did and go to an auction in the middle of winter and buy a box of great stuff including kitchen refrigerator magnets, political buttons, and more—including “the Stringbean Murders”-- for a dollar. 

So there’s my personal report on your nickname in 400 words or less.

Thanks for asking,
The Q & A Lady

That tune is called "Waiting on the Wind," and can be found on the younger Tillis' album THUNDER AND ROSES. The recorded version also includes both father and daughter sharing vocals. Pretty, pretty!

Thanks for asking,
The Q & A Lady

Dear Miss Jo,

Hands off Vinny, girlfriend! I always thought the only good thing that ever came out of Alabama was Hank Williams, and by the looks of your email I was right. It also looks as if one ole Talladega hussy (that’s you) crawled out of the bowels of the Talladega Motor Speedway long enough last summer to try to dig her claws into Vince’s mandolin during a bluegrass show. Nice try. In the immortal words of my buddy Loretta Lynn, “You ain’t woman enough to take my man!”

Just kidding, Jo, we both know Vince is very much taken with his “Sweet Augusta Darlin’,” Amy Grant. But that won’t stop the two of us from hitting his shows, cheering him on, and admiring the man and his music-- emphasis on the man. When we do so, we will be surrounded by approximately 4,400 others at the Opry House and 2,200 others at the historic Ryman Auditorium.

Thanks for asking,
The Q & a Lady

Dear Valerie,

I was so enchanted by the name of your town that I "Googled" it to see what I could find. No luck. Next on to the Weather Channel's site to see whether it was sunny or cloudy in Three Tree Creek. No sign of your town there, either. You must be out in the boonies, girlfriend! Please tell us more about your fair town. It is not often that your hometown can also be used as a tongue twister after a long night of honky tonking!

Alan Jackson sang "Wonderful Tonight," a tune written in 1976 by Eric Clapton while he was waiting for his then-girlfriend to get ready for an evening celebrating the music of Buddy Holly put together by Paul McCartney. The song was released in the 70s and again on a live album in 1991. Mr. Alan Jackson does not have a version of the tune available for purchase, but I did see his performance on YouTube while researching an answer for you.

Maybe if Alan ever does a concert in Three Tree Creek you can yell out a request for the beautiful tune. Great taste in songs ("Wonderful Tonight") and men (Mr. Alan Jackson), Val.

Thanks for asking,
The Q & A Lady

Hi Jim,

You could be talking about a couple of different artists, each grand in her own right. Sheryl Crow added her vocals to “What You Give Away” in the studio and during a couple of appearances, most notably the CMA Awards.

But if you caught Mr. Wonderful Vince on “Opry Live” or on his absolutely incredible “These Days” tour, you marveled along with me at the voice of one Bekka Bramlett. Bekka is the daughter of Delaney and Bonnie Bramlett, who achieved singing and songwriting success in the 1970s with a mix of country, blues, and rock ‘n’ roll. With her parents very active in music, young Bekka grew up with some of the biggest names in music—Eric Clapton, George Harrison, and others—visiting her family’s home.

Bekka is so incredibly talented her voice could have shone in any city, but I’m glad she made her way to Nashville. Her website recounts that the great Gill was among the first artists with whom she worked upon landing in Music City. “The first time I ever heard Bekka Bramlett sing,” Vince says, “was in the studio where I was recording my HIGH LONESOME SOUND record…"

“She just waltzes right in with this huge jaw-dropping voice that came flying out at us … and I can’t say that I have ever been so immediately affected in my life, let alone my career!” Vince added with his wonderful laugh, “I stood straight up outta my chair, and literally picked it up and tossed it out in the hallway. I think that chair cost me about a thousand bucks to replace it … but who cares? It was worth every penny!”

The great Alison Krauss says of Bekka “I don’t know how one woman can be the life of the party AND be the consummate pro at the same time. I love working with her.”

And I love seeing her perform, Jim. I could hardly keep my eyes off of her during Vince’s two-night stand at the Ryman Auditorium in April. Her voice has so much soul, and her face shares so much emotion. And I’m here to tell you, Jim, the lady has some moves. If I was about 50 years younger, it would probably be appropriate for me to tell you that at that Ryman show she “really got her groove on.” Alison knows how to call ‘em. That night Bekka Bramlett was the life of the party AND a pro all the way.

Thanks for asking,
The Q & A Lady.

Dear Joe,


Ole Bocephus doesn't come around as much as Opry fans would like him to, but let me tell you, son, when the man walks on the Opry stage, he makes up for lost time! There's an electricity in the air unlike that caused by almost any other artist. In fact, when he's been at the Opry during its Ryman months, I've stopped and wondered how much the crowd reacting to his songs sounds like the crowds in that same beautiful building giving his daddy encore after encore during his Opry debut.


Something in the blood, huh Joe?


Hank Jr. played a big part in two of the Opry's more memorable nights of the past few years. In January 2003 he took to the Opry stage alongside Vince Gill, Hank Williams III, and more commemorating the 50th anniversary of Hank Williams Sr. That same year, Hank, Marty Stuart, and Travis Tritt joined together on the Opry at the Ryman stage to pay tribute to their friend Waylon Jennings, who had passed away earlier in the week. Porter Wagoner called that one "the most exciting night I can ever remember at the Opry." Pretty impressive.


Thanks for asking,
The Q & A Lady

Dear Jake,

You have to admit Opry membership is a pretty elite fraternity, as currently only 66 acts around the world can count themselves as Opry members. Little Jimmy Dickens is the Opry’s most tenured member, having joined the Opry cast in 1948. Mel Tillis is the Opry’s newest addition, having just joined the cast last weekend. Dierks Bentley joined as the youngest member in October 2005, and was the last addition before Mel. Will the Opry go another few years before expanding its ranks, or is last weekend's induction the start of a new trend? Stay tuned, Jake. Stay tuned.

Thanks for asking,
The Q & A Lady

Dear Jason,

First of all, your question just reminded me that I had a dream last night that I was watching the old game show "$25,000 Pyramid" and the clue was "What Crystal Gayle might say." The contestant was pretty good—she said something like "Sister Loretta, let's go get ice cream." Now what in the world brought that dream on, Jason? And more importantly, why didn't the contestant in my dream hit it out of the ballpark with the clue, "Wow, my black hair sure is long as I stand here singing ‘Don't It Make My Brown Eyes Blue.'"

Loretta's twins Patsy and Peggy are enjoying family life for the most part these days. I'm sure they enjoy time with their children, especially since their mother had to be away from home early in their lives. Patsy, named for her mother's great friend Patsy Cline, was looking beautiful a few weeks ago at a recording industry event honoring her mother. Miss Loretta looked great, too, of course.

Jason, for an inside comprehensive look at Loretta and her family, I highly recommend a trip to her ranch in Hurricane Mills, Tennessee. You'll see the gorgeous home featured in the movie you've seen so many times, and when you tour that home, you'll see the actual kitchen in which Loretta, Doolittle, and the twins about whom you asked filmed those great Crisco commercials from the 70s. After your tour of Loretta's former residence, cross the road and visit Loretta's Museum full of items from Loretta's life as well as gifts from many of the friends she's made through the years. You'll see the gown in which she accepted a Grammy, the Jeep Doolittle drove for years around the ranch, and great video clips of Loretta TV show appearances. Gifts from friends include everything from photos of Loretta with Tammy Wynette to stage clothing worn by Linda Davis to Barbara Bush's oversized, stretched yellow heels.

You'll drive away from Hurricane Mills feeling like a part of Loretta's extended family.

Thanks for asking,
The Q & A Lady.

I'm sure your mother would be quite touched to receive from you a copy of "No Charge" by Miss Melba Montgomery. Melba hit the top of the charts with that one back in 1974 as Betty Ford was about to become the nation’s First Lady and as "Maude" was the First Mom of television. You’ll also remember Melba for some killer duets with George Jones, including the wonderful "We Must Have Been out of Our Minds," which you can still hear every once in a while on the great 650 WSM.

Melba is still writing great songs, and you can catch her every once in a while at writers’ nights around town. Her daughter is married to producer Blake Chancey (Kellie Pickler, Dixie Chicks, Mary Chapin Carpenter) and is always one of the loveliest ladies at any given music industry event in which she is in attendance.

Thanks for asking,
The Q & A Lady

Hello, Gloria. I remember “A Little Black Mustache” from years and years ago. I could be wrong (let me know, dear readers, if I am), but I do not recall it having been recorded by an artist of a country persuasion. I always thought of that as a folk song somehow. Again, correct me if I am wrong. I have printed the lyrics to “Little Black Mustache” below. By the way, Gloria, who would you say has the best mustache in country music? I think I’d say Alan Jackson has the best mustache today and that Marty Robbins had one of the best of his day. Tennessee Ernie Ford’s ‘stache did nothing for me, Gloria.

Though “I’m Leaving It All Up To You” has been recorded by several artists, the version I think I’d get my hands on if I was you is the cut by Freddy Fender. I was surprised when looking back, Gloria, that Fender’s version was not a particularly huge chart hit, never breaking the Top 20 on the singles chart.

Thanks for asking,
The Q & A Lady

VERSE 1
Oh, once I had a charming beau
I loved him dear as life
And once't I thought th time would come
When I would be his wife
His pockets they were filled with gold
You bet he cuts a dash
With his diamind ring and his watch and chain
And his little black mustache

VERSE 2
O, th little black mustache
Th darling black mustache
And every time I think of him
My heart beats quick and fast
And you must know, I've got'a beau
That wears a black mustache

VERSE 3
He said, we'd live in th grandest style
For he had lots a cash
And then he pressed upon my lips
Th darling black mustache
Then came along a sour ole maid
Just worth her weight, in gold
She had false teeth, she wore false hair
An' was forty-nine years ole

VERSE 4
He cool'ly deserted me
For that ole maids cash
And now you know, I've lost a beau
That wears th black mustache

Great name, Utoka! You must tell me—is that a family name? And might I suggest you develop a special okra recipe to take to church carry-in dinners so the dish can be known far and wide as Utoka Okra? I’m seeing skillet-fried breaded okra with bacon and parmesan cheese, perhaps topped with grilled shrimp and freshly sliced tomatoes.

Everywhere I go, it seems everyone has an opinion about who should be inducted into the Country Music Hall of Fame. It seems if you have strong feelings Barbara Mandrell should be inducted, your campaign will have to be broad and far-reaching. For Hall of Fame membership is in the hands of the Country Music Association, and a secret panel of leaders chosen by the CMA makes the decision. You can get the whole scoop as told by my friends at the Country Music Hall of Fame and Museum at the Hall’s website. http://www.countrymusichalloffame.com/site/experience-inductees-election.aspx

Some fun facts from the Hall: Its very first inductees were Jimmie Rodgers, Fred Rose, and Hank Williams. Patsy Cline was the first solo female inductee in 1973, and Minnie Pearl was the first comedian elected in 1975. Jimmy Dickens brings tears to my eyes when he recounts his surprise Hall of Fame induction in 1983.

I’ll give you your Barbara Mandrell, Utoka, and say if it was up to me, I’d be suggesting names like Don Williams, Mel Tillis, Tom T. Hall, Ronnie Milsap, and Emmylou Harris. With a new category aimed at inducting one newer act per year, artists such as Reba McEntire, Randy Travis, Vince Gill, Alan Jackson, and Garth Brooks should be getting their due in the relatively near future.

Good luck with the Utoka Okra.

Thanks for asking,
The Q & A Lady

Hello Dianne,

That lady’s name was Del Wood, an Opry member from 1953 until her untimely death at age 69 in 1989. Born Polly Adelaide Hendricks in February 1920, Ms. Wood was called Del so that radio audiences of the day would not know she was female. (Thank goodness times have changed, Dianne.) Del Wood was quite a lady and a gift to the Opry and Nashville community. She played the fire out of any number of tunes on the Opry stage, but I have to tell you there was nothing like hearing her tickle the ivories on “Down Yonder.” It’s kind of like when Skeeter Davis would step up to the mic and sing “Why does the sun go on shining…” or when Loretta Lynn launches into “well I was borned a coal miner’s daughter…” They could sing something else, and I’d still enjoy it, but there’s just nothing like when an artist’s signature song is also your personal favorite and they sing it (or in Del’s case, play it) for the Opry audience. Del’s honky tonk style has been cited as an influence by Jerry Lee Lewis, and she earned the title “Queen of the Ragtime Pianists.”

The sheet music for “Down Yonder” should be available in almost any music store in America, or online, for that matter. “Down Yonder” went to the Top 5 of the country charts in 1951, and another version was also a Top 5 pop hit.

Del played the Opry literally until just days before she died of a stroke. Among other things, she proved that a woman’s place was wherever she wanted to be, and I miss her.

Thanks for asking,
The Q&A Lady

My, oh my! An international fan! Well aren’t I just the cat’s pajamas (gato pijama, to you, mi amigo)! If Opry member George Hamilton IV is the International Ambassador of Country Music, I think I’ll call myself the Ambassador Lady.

While I have sung along to the Martha White tune for years and years, I must admit I wasn’t absolutely sure of the answer to your question from across the pond, B.J. When in doubt, I like so many others turn to my young friend Opry announcer Eddie Stubbs. Steady Eddie was quick to tell me that the Martha White Jingle played on the Opry during the Martha White segment is not Lester Flatt & Earl Scruggs.  As you may know, the dynamic bluegrass duo dissolved their partnership in 1969. Lester retained the Martha White sponsorship and when he was on the 8 PM Opry segment, he would do the theme song live.  The version played on the Opry was recorded at the WSM studio (then on Knob Road where local station WSMV remains) back in the early-mid 1970's and is by Lester Flatt and The Nashville Grass.

Of course in recent years the song has been played live on the Opry by a wide variety of acts including IBMA Entertainers of the Year The Grascals and Rhonda Vincent. I remember thinking to myself as I sat in the audience, “Now, Rhonda, you had better stay away from baking mixes and an open flame with that dress on. I’m not sure those sequins and feathers are not flammable.”

Good to hear from you, BJ. Let’s stay in touch in English. Unfortunately, this ole gal has forgotten most of the Spanish words she once knew. As for the Spanish sailors she once knew-- well that’s a different story altogether.

Thanks for asking,
The Q & A Lady

Dear Tim, 

Tammy Wynette could really tear your heart out when she sang, to borrow a line from her ex-husband George Jones’ anthem “Who’s Gonna Fill Their Shoes.” The thing is, Tim, that Tammy passed away in 1998. The great First Lady of Country Music was not an Opry member at the time of her death, but even if she had been she wouldn’t technically be included in a rundown of the current Opry cast. Let’s think of it like your family’s big holiday dinner. Those who have passed on to the other side are always in your thoughts as you gather together, yet you don’t necessarily set out a place setting for them. You could think of Opry members in the same way, I suppose. Dear friends like Del Wood, Skeeter Davis, Bashful Brother Oswald, Ernest Tubb and the others will always be a part of the Opry’s heritage, legacy, and family—- they’re just not listed as current Opry members. You might think of it in terms of the number one requirement for current Opry membership is to be a living, breathing soul.

Now don’t get me wrong. There’s not a soul at the Opry who doesn’t acknowledge daily that all of the artists who came before are with us still in one way or another. Roy Acuff and Grandpa Jones’ stories are told on nearly every backstage tour. Patsy Cline’s music still rings out as sung by new voices. Even opry.com lists artists who were Opry members from the 1920s to today. (Check out the timeline pages of the site.) But I think the Opry is sometimes confused with the Country Music Hall of Fame, in which the most influential persons in country music’s past and present—from the very much alive George Strait to the long-since deceased Jimmie Rodgers are enshrined. No trip to Nashville is complete without both.

Thanks for asking,
The Q & A Lady

Dear Frank,

Thanks for coming to visit the Tuesday Night Opry. You heard T. Graham Brown singing the heartfelt “Wine Into Water.” The tune can be found on T’s 1998 album of the same name. You can tell that his “T-Ness” has “been there, done that” when he sings so passionately about battles with (and a victory over) the bottle.

Thanks for asking,
The Q & A Lady

Hi Viv,

I don’t know why I always get a kick out of folks trying to make country artists with the same last name kin, but I do. I snickered to myself when someone asked if Jan Howard and Rebecca Lynn Howard were related. I laughed more loudly when asked if Bill Anderson was Lynn Anderson’s daddy.

Maybe we should just create an exhaustive list and place it on the site somewhere. It’d go something like this:

Related:

• Hank Williams / Hank Williams Jr.
• Mel Tillis  / Pam Tillis
• George Morgan / Lorrie Morgan
• Loretta Lynn / Crystal Gayle
• Johnny Cash / Tommy Cash / Rosanne Cash
• Ernest Tubb / Justin Tubb

Not Related:

• Ricky Van Shelton / Blake Shelton 
• Hank Williams Jr / Kid Rock 
• Bill Anderson / Lynn Anderson
• Jan Howard / Rebecca Lynn Howard
• Johnny Lee / Dickey Lee / Brenda Lee / Robin Lee
• Cal Smith / Carl Smith / Connie Smith / Margo Smith / Sammi Smith
• Earl Thomas Conley / John Conlee / Con Hunley
• Garth Brooks / Kix Brooks
• Mac Davis / Skeeter Davis
• George Jones / Grandpa Jones

This is just the beginning of both lists, obviously. I’ll take a notepad on my beach trip this summer and come back with a complete list for you Viv. 

And while I am not technically related to either Young Josh Turner or Vince Gill, the dream I had about them last night would make me their wife according to the laws of the US Territory of Guam, the Canary Islands, and certain remote counties in Montana.

Thanks for asking,
The Q & A Lady

Mercy, Dody, I believe you’re thinking of the song “Mercy Now” by Mary Gauthier, who set the Americana world on fire with her album of the same name a couple of years ago. The project received critical praise both in America and across the pond with glowing words such as these from “The Washington Post:” “This new disc is one of the year's best singer songwriter efforts; even the presence of songs by Harlan Howard and Fred Eaglesmith do nothing to eclipse the power of Gauthier's originals". Pretty powerful testimony, Dody!

I remember the opry.com staff received lots of passionate emails about Gauthier’s Opry performance in the days following her appearance, both applauding the Opry for having her on the show and some not as kind words about the message of her selections that night. Personally, Dody, I loved that February ’06 night at the Opry featuring Gauthier’s songs plus a diverse array of artists including Marty Stuart, Charley Pride, Patty Loveless, Porter Wagoner, and many more. I’m glad you did, too.

And I’ll tell you what— to read Mary Gauthier’s bio is to read the script of a wonderful movie full of tragedy and triumph, hope and despair. I did not meet Gauthier that night last year when she made her Opry debut, but the next time she’s on I vow now that I’ll walk up and tell her how much I enjoyed her first night at the Opry and how I am looking forward to new music from her.

Thanks for asking, 
The Q & A Lady.

Dear Les,

My guess is you're thinking of the David Frizzell and Shelly West hit, "You're The Reason God Made Oklahoma." I hear John Deere sales were up the year that one hit the top of the charts!  Must have been 1981, because that's the year I saw Any Which Way You Can at the drive-in, which featured the song. Rumor has it, Clint Eastwood liked the song so much he personally added it to the film. Did you know Eastwood also recorded the duet "Beers To You" with Ray Charles on that same soundtrack? Unfortunately, they did not take home the "Vocal Duo of the Year" award for the performance; the Academy of Country Music gave that honor to Mr. Frizzell and Ms. West. "You're the Reason God Made Oklahoma" also won the Country Music Association's "Song of the Year" and "Vocal Duet of the Year."

Shelly West is the daughter of country legend Dottie West. She and David had a string of hits in the early 80's, but she soon decided to leave the spotlight and hasn't made much music since. Mr. Frizzell actually just released a brand new song called "Water Makes Her Clothes Stay On." I'll have to ask Joe Nichols what he thinks about that one when I see him perform at the Opry this weekend.

Thanks for asking,
The Q & A Lady

Dear Dee, 

“Lucky Moon” was a Top 10 hit for the Oak Ridge Boys in 1991, giving the guys Top 10’s in three straight decades. The 70s brought the breakthrough smash “Y’all Come Back Saloon,” as well as “I’ll be true To You,” “Dream On,” and others, while the 80s delivered chart-toppers such as “Elvira,” “American Made,” and “Bobbie Sue.” “Lucky Moon” was the Oaks’ most recent Top 10. The group took home CMA Vocal Group honors in 1978 and continue to tear it up on the road.  

Lead singer Duane Allen’s lovely wife can be seen on the Opry stage as part of background vocal group the Carol Lee Singers almost every night the big red curtain goes up. 

I’m looking forward to catching up with the Oaks next month when they return to the Opry. 

Thanks for asking,
The Q & A Lady

Dear Susan,

Ferlin Husky took “Wings of a Dove” to number one in the fall of 1960 and kept it there for ten solid weeks. A great tune, indeed, Susan. Til my dying day I shall never forget Mr. Ferlin’s rendition of the song at the Opry House on the occasion of the local musician’s union’s 100th Anniversary in October 2000.

Ray Price was on hand that night. He knocked ‘em dead.

Willie Nelson was also on stage that evening. Incredible performance from the red headed stranger.

Brenda Lee was there. She rocked around the Christmas tree like she’d never rocked around a Christmas tree before.

It was the night Bobby Bare took everyone in attendance to “Detroit City” one more time.

But for me, the show hit its crescendo when the familiar first few chords of “Wings of a Dove” rang from the stage and Mr. Ferlin, clad in snow white from head to toe (jacket, shirt, slacks, socks, shoes—the works—all white) came running out (or was it a strut? or maybe a skip? or a combination of the three?) threw his head back like Foghorn Leghorn getting ready to shout something on cartoon television, and launched into an absolutely unforgettable version of “Wings.” I guess the best way I know to describe it, Susan, is that it was “empowering.” They say you never know who is swimming naked until the tide goes out, but I’ll tell you Mr. Ferlin could have swam naked (proverbially, mind you) that night. The musicians around him that night were impeccable, but he didn’t really need ‘em. He just needed that voice and that confidence on stage. I will never, ever forget it.

Of course the tune has been re-recorded countless times and is a staple at funerals of country music fans. You probably heard that Opry favorite Joe Nichols sang the song at the long-delayed funeral of Anna Nicole Smith in the Bahamas. The two met on the same Opry stage where I’d watched Mr. Ferlin deliver “Wings of a Dove” five years earlier.

Thanks for asking,
The Q & A Lady

Dear Ashleigh,

It’s good to hear from Marion, again, though the name of that fine establishment makes my old tummy rumble. I long for a big plate of barbecue nachos with extra magic dust! I actually recall when Billy Ray Cyrus made his way to Marion just because it seemed like a script for an episode of “the Andy Griffith Show” or some other show about small town life. Billy Ray had been booked months earlier to play a Marion festival on Independence Day Weekend 1992. Between the day the fine civic leaders of Marion inked a contract with Billy Ray and the day the star was to appear at a Marion Knights of Columbus celebration, Cyrus’ career literally exploded. And I mean, EXPLODED, Ashleigh! He’d just made ladies’ hearts go pitter-patter at Fan Fair, had started a national dance craze with “Achy Breaky Heart”, and was on top of all the album charts (ALL of them, including the pop charts) with his debut album, SOME GAVE ALL. He was being sought after for stories in “People,” “US,” and the like, and there he was in small town America on the biggest holiday of the summer putting on a good country show for good Midwestern folks. I don’t know him as well as some other artists, Ashleigh, but what I do know about Billy Ray is all good. Any time we have ever asked him for anything to benefit a charity or what have you, he’s always been there. And I’ve personally witnessed him go out of his way to thank his fans for the success he’s enjoyed.

You heard right when you heard he’ll be featured on the next season of “Dancing With The Stars,” which begins March 19 on ABC. He’s up against NBA star Clyde Drexler, John Ratzenberger (aka Cliff from “cheers”), Leeza Gibbons, and others, including Paul McCartney’s ex, Heather Mills. After the way the tabloids say she treated Sir Paul, surely Billy Ray can kick her tail with his hands tied behind his achy breaky back. For that matter, I’ll bet she’ll fare worse than any other Mills they could have chosen. Soap star Donna Mills. “Parent Trap” actress Haley Mills. Photographer Olan Mills.

Good luck Billy Ray! 

Enjoy the barbecue, Ashleigh, and thanks for asking.
The Q & A Lady

Dear Judy,

I spent some time in England several years ago, but the best country music I found was on a jukebox outside of Grantham, a little town near Nottingham, at a small pub called the Gregory Arms. Good brew. Good tunes. I’d put in a few pence and let those Patsy Cline and Ernest Tubb records sing me back home. I’m happy to report that though Porter Wagoner had a health scare about six months ago, he’s marking his return to the Opry for his first scheduled appearance in some time this very weekend. Porter made a surprise visit to the show along with Marty Stuart at the Ryman a few weeks ago, but this time he’s really back… listed on the artist line-up and all!

It looks like it’s shaping up to be quite a year for Porter. He celebrated his 50th Opry anniversary at the Ernest Tubb Record Shop last week, and they’re planning a 50th celebration in his honor at the Opry later this spring. I’ll pass on details when I hear them, or I’m sure the young folks who work on the opry.com site will make sure they spread the word when everything comes together, as well. Young Marty produced a new record on Porter, and the early word is there’s some really good work on it. The project will be out this spring, as well.

The Wagonmaster just made his way to LA (Los Angeles, not Lower Alabama) a couple of weeks ago to appear on stage with his new labelmate Neko Case, who made a rather interesting appearance at an Opry Plaza Party a few years back.

We all wish Porter well. It’ll be fun to see him this weekend.

Thanks for asking,
The Q & A Lady

Dear Darren,

Indeed, the father-and-daughter duo did perform on the Opry during their hit-making days. Those days included successes such as “Pittsburgh Steelers,” “It Don’t Feel Like Sinnin’ To Me,” “Thank God For The Radio,” and of course the monster smash (and CMA Single of the Year award-winning) “Heaven’s Just a Sin Away.” I must say I could sleep better at night tapping my toe to that one when it was re-recorded by Kelly Willis a few years ago rather than a daddy and his sweet young daughter. We lost Royce in 1998, but young Jeannie has found some success in the world of bluegrass with her pretty, clear voice.

I say if listening to the deceased Royce is what it takes to get you through those long, hard Wisconsin winters, more power to ya. Don’t tell anyone, but every once in a while I drag out photos of my high school beaus and talk to them like they are still around. Sometimes I think I like it better that way. When I feel like they’re disagreeing with me, I just put them back in the box and to the top of the hall closet they go.

Thanks for asking,
The Q & A Lady

Dear Kitty,

I have always loved that tune, called “Ashokan Farewell.” In investigating an answer to your question, I was heartened to see that its composer admitted he was a little embarrassed in the early days after having written such a beautiful piece by the emotions of sadness and despair that came over him when playing the tune. I can’t explain it, Kitty, but that music— beautiful, though it may be— just heavies my heart and puts a lump in my throat every time I hear it. I guess that’s music for you, huh, Kitty? You can read about the piece which was, indeed, heard throughout the Ken Burns Civil War documentary by clicking here.

I guess I am putty in Mike Snider’s hands. 

On one hand, he keeps me laughing at jokes such as the one about the lady and her schnauzer. (Have you hear that one, Kitty? When I listened to it for the first time, I was absolutely humiliated to be laughing so hard at something so very wrong! But I just couldn’t stop. Thank heavens I had a kerchief in my purse, as I was so tickled I cried.) 

On the other hand, he can play a song such as the one you heard last month with such sincerity that I reach in my purse for that same hanky to wipe away a tear of another kind.

Maybe it’s Mike. Maybe it’s the jokes. Maybe it’s the music. Maybe it’s my nerve pills.

Thanks for asking,
The Q & A Lady.

Dear Lesa,

First, I have to tell you, Lesa, I just always get a little thrill when someone who shares the name of a celebrity (or in your case a famed fictional character) writes in to yours truly. You can count on me to keep any jokes about “The Simpsons” to myself.

Second, you have great timing, as your question arrived on the very day I received a copy of an upcoming CD by Kathie Baillie, herself. Kathie was the lead singer of Baillie and the Boys, which also included her husband Michael Bonagura and longtime friend Alan LeBeouf. The trio enjoyed late 80s/early 90s success with songs such as “(I Wish I Had A) Heart Of Stone” and “Fool Such As I.” 

Baillie goes solo on this latest effort titled “Love’s Funny That Way” due in stores Feb. 20, but the CD is very much still a family affair as husband Michael produced the record and daughter Alyssa contributes backing vocals. Both husband and daughter also co-wrote material that made its way onto the project. Also on the project is my very own Mr. Wonderful Vince Gill, who appears on Baillie’s version of his self-penned hit “Never Knew Lonely.” “He’s not only a dear friend,” Baillie says of Vince, “he is one of my favorite singer-songwriters.” Amen, Kathie Baillie! You can bet if there is ever a “Q & A Lady and the Boys” I won’t come calling on your guys Michael Bonagura and Alan LeBeouf. No ma’am, I’ll have Vince Gill as boy number one and Young Josh Turner as boy number two with Alan Jackson on standby in case of emergency!

Baillie was always known around Tune Town as having a crystal clear voice, and Nashville music critic and all-around good guy Robert K. Oermann writes that she certainly hasn’t lost a thing. “Kathie remains one of our most powerful female vocalists,” Oermann says in Music Row magazine. “Her comeback single (and the album’s title track) is a pop-country pile driver with a big, fat, soaring, chiming melody that shows off her still-mighty interpretive chops.” I put great trust in Bob Oermann’s taste, Lesa, especially since he had the good sense to visit my yard sale last September!

Now get back to practicing that saxophone before Principal Skinner calls you to his office!

Thanks for asking,
The Q & A Lady

Dear Gary,

I am far too defined a lady to call you crazy without even having met you, so let’s just say your brother may very well be a great judge of character! Bill Anderson, who will celebrate his 70th birthday this November 1st, would have been only 10 years old when his daughter was born if he truly was Lynn Anderson’s daddy. Ms. “Rose Garden” also celebrates a milestone birthday next fall, marking the big 6-0 on September 26. You may not be quite as crazy as your brother thinks, though, as Lynn is, indeed, the offspring of two country personalities. Her father Casey was a successful music publisher, while mother Liz enjoyed chart success in the 1960s and has the claim to fame of having penned Merle Haggard’s first Top 10 hit, “(My Friends Are Going To Be) Strangers.” I also want to share, Gary, a quote I read about the North Dakota native when researching the answer to your question. Melvin Shestack says in “The Country Music Encyclopedia” that Lynn has “hair the length and color of North Dakota winter wheat.” I’m not sure how I’d take that if I was her. Probably the way I took it when I was once told I looked as if I’d spent a cold winter night in the cornfield!

Opry member Bill has three adult children, none of whom have ever promised me a rose garden . . . or anything else, for that matter.

Thanks for asking,
The Q & A Lady

Dear John,

Folks are going to think I’m choosing which question to answer depending upon how hungry I am when I’m browsing through the emails country fans send my way (I went on and on a week or two ago about some great barbecue I enjoyed over the holidays in Marion, Illinois), but your correspondence caught my eye when I saw you were from Morganfield, Kentucky, former home of another of my all-time favorite eating establishments, Peak Brothers Barbecue. I was horrified—utterly horrified—- to hear the restaurant had burned a month or two ago. I’m telling you, John, if I had been traveling down Highway 60 between Corydon and Morganfield that fateful day and had seen flames shooting from Peak’s, I would have been tempted to crawl inside that burning building in hopes of salvaging just one more order of mouth-watering barbecue pepper ham! So good. So very, very good. I remember going into Peak’s, ordering a few pounds of the delicious pork dish to bring back to Nashville, and enjoying the great country music on the jukebox near the cash register just outside the bar while I waited for my order to be served. Have mercy, John, and tell me there are plans to rebuild the place.

Your question is a familiar one, and one which has caused an argument or two in Tune Town. It is widely known that the King of Country Music, Roy Acuff, opened the first show at the Opry House with his wonderful “Wabash Cannonball.” The last show at the Ryman causes some disagreements from time to time, but the answer is a rather simple o